What better way to appreciate Marquette than through its history? Hilary Billman, the Executive Director of the Marquette Maritime Museum discusses the museum’s efforts to restore trust with the community after financial mismanagement, Hilary’s journey from St. Louis to Marquette, and the challenges and successes of reviving the museum, including updates to exhibits and new additions like the opening of the second floor of the lighthouse for artifacts.
Links:
Marquette Maritime Museum Website: https://mqtmaritimemuseum.com
Marquette Maritime Museum Facebook: https://www.facebook.com/mqtmaritime.museum
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Show Notes:
00:00 Introduction
01:03 Exploring Marquette Maritime Museum
02:00 Hilary Billman’s Journey to Marquette
06:30 Challenges and Rebuilding the Museum
12:05 Coming Back Stronger
13:33 Exhibits and Artifacts at the Museum
15:58 The Marquette Lighthouse
18:28 Special Exhibits and Events
24:09 Visiting the Museum and Final Thoughts
Transcript
And I feel like we did lose a lot of respect from community
2
:members because of what happened.
3
:When people have seen what's happened
to the museum, we really cleaned it
4
:up Inside outside looks fantastic.
5
:We're really really trying to
do things for the community.
6
:It's just really important
to me that we look good.
7
:And we look appealing.
8
:And tourists want to come here.
9
:And even local people want to come here.
10
:So it took a lot of work And it took
a lot of money slowly over the years
11
:to sort of build that trust back.
12
:I think.
13
:Cliff Duvernois: Hello everyone and
welcome back to Total Michigan where
14
:we interview ordinary Michiganders
doing some pretty extraordinary things.
15
:I'm your host Cliff DuVernois.
16
:So it's summertime and that means
we are traveling and one of the top
17
:destinations in Michigan that people
like to go is the Upper Peninsula.
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:And I'm very fortunate because I've been
spending a lot of time in Marquette.
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:And the more time I spend here with
the locals, the more I'm loving it.
20
:One of the things that I always love
to do when coming to a new town is
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:talk to one of the local museums.
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:Because they really know the history
and the story behind the town, and
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:can really help shine a good light on
what it is that people here are doing.
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:So with that being said, today I'm
at the Marquette Maritime Museum.
25
:With executive director Hilary Billman.
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:Hilary.
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:How are you?
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:Hilary Billman: I'm great.
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:Thank you.
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:Cliff Duvernois: Why don't you tell us
what is the Marquette Maritime Museum?
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:Hilary Billman: Well Well, Marquette
started out as a shipping port town.
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:And so in the 80s, there was a group
of people that decided that we really
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:needed a maritime museum to interpret
and preserve the maritime history of the
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:area, which is shipwrecks, lighthouses,
fishing, anything to do with that
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:beautiful lake that we're right next to.
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:Cliff Duvernois: with the museum,
this was, this primarily started
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:off as just a shipping port.
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:Hilary Billman: Yes.
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:So iron ore was discovered in
the area in the late:
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:And they had to get the ore out
of Marquette and get it down, you
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:know into the lower Great Lakes.
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:nd so the Soo Locks opened in:
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:And we just became a big shipping
port on lake superior to get
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:the iron ore out of Marquette
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:Cliff Duvernois: So Hilary, let's take
a step back here for a second and let's
46
:talk a little bit about your journey.
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:So where are you from?
48
:Where did you grow up?
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:Hilary Billman: I grew up in St.
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:Louis, Missouri.
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:And, yeah, my, my
parents are from England.
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:And they, my dad ended up coming
to University of Missouri, St.
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:Louis to work as a chemistry professor.
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:And they ended up going back to
England to have me their last child.
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:But yeah grew up in St.
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:Louis and had a great childhood there.
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:Cliff Duvernois: So what
brought you you to Marquette?
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:Hilary Billman: Marquette
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:My husband and I, I'm
married to John Billman.
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:He's a writer and a professor
at Northern Michigan University.
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:We've lived in a lot of different places.
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:We've traveled around a lot.
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:And then we had kids and decided
it was time to settle down.
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:So we moved here from Oklahoma.
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:We've been here this will
be our 11th year here.
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:We were looking for just a great
place to raise our children.
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:And we found it in Marquette.
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:Cliff Duvernois: Now did was
is this one of the situations
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:and you said here you go, or
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:Hilary Billman: Yes.
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:No, this is where we wanted to move here.
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:There was a job opening.
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:And he applied right
away, and he got the job.
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:So we were very lucky that way.
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:So yeah, he's in the English department
at Northern Michigan University.
76
:Cliff Duvernois: So you said something
here I would like to explore.
77
:but you said this is
where you wanted to go.
78
:What was it about Marquette in
particular that attracted you to it?
79
:Hilary Billman: Well, we like snow, which
you have to like if you live in Marquette.
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:So, like, we love to cross
country ski and outdoor.
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:I mean, we live in a log cabin
just off the Chocolay River,
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:about 10 miles south of town.
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:It just hit all the, the
boxes that we wanted.
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:So now did you go to university?
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:Yes I went to DePaul
University in Indiana.
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:And then I have a Master of Fine Arts in
Creative Writing and a Master of Arts in
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:Technical Writing from Eastern Washington
University in Spokane, Washington.
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:And that's where I met my husband.
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:Cliff Duvernois: You have been all over.
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:So then, with your background,
Wow, so that's a lot.
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:Let's step back.
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:How did you get involved with the museum?
93
:Hilary Billman: So when
we lived in Wyoming.
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:See I told you we lived everywhere.
95
:We lived in Wyoming.
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:And we lived in a small town that
was mostly coal mining and my husband
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:was teaching middle school there.
98
:And there weren't very many jobs for
people that weren't either teachers
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:in the schools or, coal miner.
100
:And they have a small museum
there that they decided they were
101
:gonna hire a full time director.
102
:And they wanted somebody
that could write grants.
103
:So I applied for the job.
104
:And I got the job.
105
:So it was coal mining,
bootlegging, and prostitution.
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:and so I started out at this museum.
107
:And it's I learned as I went and, figured
out how to write grants, how to do the
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:exhibits and different things like that.
109
:And we were there almost seven years
until we decided that we actually
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:needed better health insurance.
111
:And things for our children.
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:So my husband started applying
for university jobs at that point.
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:So we did move out of Wyoming,
but yeah, I started out not
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:knowing a lot about museums.
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:And now it has become my career.
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:Cliff Duvernois: I know that,
because I know you said you didn't
117
:start out knowing a lot about it.
118
:So during all of the college classes
that you took, there was nothing about
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:Hilary Billman: No.
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:I
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:No, I don't have history.
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:And I don't have any history background.
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:But I've always been fascinated
with history, so that's
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:always been a hobby of mine.
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:Everywhere we go, we go to museums.
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:Sure.
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:You know, and I love
finding out about places.
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:And then grant writing, grant
writing's, grant writing.
129
:You just, you learn the
basics of grant writing.
130
:And that was just my step into that world.
131
:And, I learned everything from
that, just from that point on.
132
:Cliff Duvernois: So now you have made
the move from Wyoming to Marquette.
133
:Your husband's got the job
teaching at the university.
134
:You got better health insurance.
135
:How did you get involved with
the Maritime Museum here?
136
:Hilary Billman: Okay.
137
:Yeah.
138
:And I will also say that in
between Wyoming and Marquette,
139
:we lived in you ready?
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:New Mexico, Iowa, and Oklahoma.
141
:And then Marquette.
142
:So, yeah.
143
:So, and ask me the question one more
time, because I got sidetracked with the
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:Cliff Duvernois: okay.
145
:So now your husband has moved
from, where was the last place,
146
:Hilary Billman: Yeah, Oklahoma,
so how did I get the job?
147
:Is that what you were asking?
148
:Yeah, yeah, so I just they
were looking for a director.
149
:There had been some issues
with the previous director.
150
:And she wasn't working here in any longer.
151
:So they were looking for a director.
152
:And I a friend of mine knew my background
and told another friend who knew a board
153
:member who contacted me and said You know,
why don't you send in your resume and, you
154
:know, we'll try to get it set up so we can
come in and talk to some board members.
155
:And that's where it happened.
156
:Cliff Duvernois: So what I would like
to do is I would just like to take just
157
:a quick minute or two to talk about
what happened before you came on board.
158
:Because I think that's instrumental
in how what a big success this
159
:museum has come to this day.
160
:So why don't you talk to us a little
bit about the circumstances that
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:brought you into this position.
162
:Hilary Billman: Right, so when
they hired me, basically the
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:museum had no money in the bank.
164
:And the board was doing everything because
the previous director had embezzled funds
165
:and pretty much emptied our bank accounts.
166
:And there were a lot of things going
on that the board didn't know about
167
:that they very quickly became aware of.
168
:And so they were looking basically for
somebody to come in and at first just keep
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:the doors open and just keep it going.
170
:Try to get as many volunteers as we could.
171
:And so they hired me and I, it was
basically like starting over here.
172
:We did a lot of cleaning
updated a lot of exhibits.
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:I started writing grants.
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:Saving a little bit of money.
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:So slowly our bank account got a
little bit better and healthier.
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:Today we're in a great place where
if there's actually something that we
177
:want to do, we have the funds to do it
And it's our board is really strong.
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:Made our board even stronger I
mean they figured out a little
179
:bit even more about things that
they had to do to run the museum.
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:And they've always been a working board
But boy, they really had to dig their
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:heels in and get us out of that hole.
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:But yeah, it's been a journey, but
we're in a great place right now
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:Cliff Duvernois: So, why do you think it
is that, cause with the previous director
184
:coming on board and seeing how, in what
poor shape the museum was in financially
185
:speaking, exhibit wise, I can imagine
a lot of trust with the community.
186
:So why is it that the board
decided to keep pushing through,
187
:keep this open rather than say,
you know what, it was a good run.
188
:I think because it
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:Hilary Billman: I think because
it is so important to Marquette.
190
:Preserving the maritime history.
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:We are a maritime town.
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:And everybody that's on the board.
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:We tend to get board members that
aren't just looking for volunteer work.
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:They feel very strongly
about the organization.
195
:Some of them are shipwreck hunters.
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:Some of them are former scuba divers.
197
:Teachers artists, all kinds of
different backgrounds, but they
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:all, they really love this place.
199
:And they want to see it do well.
200
:We have one of the original six board
members that actually started the
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:museum from:
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:So there's, I mean, there's a lot of
community collect connections here.
203
:So it was just they felt they
feel something for this place.
204
:Cliff Duvernois: And then I can imagine
too with you having built that museum
205
:essentially from the ground up in Wyoming.
206
:Coming here, you were able to
bring a lot of that skill set here
207
:Hilary Billman: Yeah, but they're
both small, non profit museums.
208
:And, there you rely heavily on volunteers,
So it's recruiting volunteers and,
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:knowing how to treat your volunteers.
210
:So they want to keep coming back,
just all those lessons that I learned
211
:in Wyoming were instrumental here.
212
:Cliff Duvernois: And you said
something else, too, that really
213
:kind of struck my curiosity, is
that a lot of the board members you
214
:were talking about seem to have a
connection somehow with Lake Superior.
215
:Like you were talking about shipwreck
divers and things like that.
216
:How important is that for them to
have that connection to Lake Superior?
217
:That's
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:Hilary Billman: I think it's very
important because it helped me
219
:even more because when I first
was hired here I mean, I can
220
:look up the history of the area.
221
:But I've really had to learn it as I go.
222
:And now I'm I'm not an expert yet,
but I'm getting really close on
223
:some of the details I mean, I have
all these dates shoved in my head.
224
:But they were really helpful.
225
:Anytime I have a question I can ask
any of them on you know They all have
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:their own little area of expertise.
227
:Cliff Duvernois: Was
228
:Hilary Billman: And it was
really helpful to be able to ask
229
:them for help when I need it.
230
:Cliff Duvernois: And then one of the
things I would like to explore real quick
231
:is that, after the previous director left.
232
:And now you have come in and you're
working on building this place up and
233
:getting money in the, in the checking
account, updating the exhibits.
234
:One of the big factors that kind
of gets tarnished in this is
235
:the reputation of the museum.
236
:And I can imagine a lot of people
were probably pretty upset because
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:they've been coming here for years.
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:They brought their kids here who
are now bringing their kids here.
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:And now all of a sudden boom this
hits and I it was probably big news
240
:in the area when this came out.
241
:How do you go about building
back that trust with the public.
242
:Hilary Billman: Right.
243
:Well, it was interesting because I
remember reading about it in the paper
244
:before I'd even considered the job here.
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:And I remember thinking,
wow, look what happened here.
246
:That kind of that rumor mill thing.
247
:You're like, wow, that's crazy.
248
:But it is.
249
:We did lose some members.
250
:And I feel like we did lose a
lot of respect from community
251
:members because of what happened.
252
:Because even though in some ways a
lot of it, you know we didn't do it.
253
:Somebody else did it.
254
:It's you know the accountability for it.
255
:Um, When people have seen what's happened
to the museum, we really cleaned it
256
:up Inside outside looks fantastic.
257
:We have brand new windows.
258
:We were just able to fund a new roof.
259
:It just we're really trying to
do things for the community.
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:where we're placed in the community right
next to the lakeshore on the bike path.
261
:It's just really important
to me that we look good.
262
:And we look appealing.
263
:And tourists want to come here.
264
:And even local people want to come here.
265
:So it took a lot of work And it took
a lot of money slowly over the years
266
:to sort of build that trust back.
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:I think.
268
:Cliff Duvernois: Yeah, and you,
the word that you used there that
269
:really caught my attention is slowly.
270
:Yeah.
271
:Because it's not something that
you can just fix overnight.
272
:You know, it's showing up
a day after day after day.
273
:And just keep putting that, that
honesty forward, So to speak.
274
:And one of the things I know
before the microphones went
275
:hot, you And I had discussed it.
276
:But one of the things you talked about
making the board stronger, right?
277
:I think that's the term that you
used earlier in the interview,
278
:making the board stronger.
279
:One of those was creating
a position of treasurer.
280
:I have never heard of
before in a nonprofit.
281
:But I think that's an excellent idea.
282
:Hilary Billman: Yeah, They had to
redo everything with the finances
283
:on just so nothing happened again
ever and nothing, there's so
284
:many steps we have to go through.
285
:And it did.
286
:I mean, it made us financially very
strong now because we have to be so
287
:much more accountable for everything
that we do, every penny that comes in.
288
:But everybody took a different task.
289
:And worked on it when they had to rebuild
and we had a brand new board member that
290
:came on as a treasurer and just took a
whole new approach to how we do things.
291
:Um, you know, We got outside
accountants to look at things and
292
:all the things that, probably should
have done, but had been done before.
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:But, I, for whatever reason.
294
:It hadn't occurred to some of them to
do it that way, but now we're doing it.
295
:Cliff Duvernois: For our audience
we're going to take a quick
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:break and thank our sponsors.
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:When we come back, uh, we're going
to talk about, uh, how the museum has
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:improved some of the exhibits that you
can see when you come here and what
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:you can expect when you come here.
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:We'll see you after the break.
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:Cliff DuVernois (2): Are
you enjoying this episode?
302
:Well, I can tell you
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:Cliff Duvernois: Hello everyone and
welcome back to Total Michigan, where
311
:we interview ordinary Michiganders
doing some pretty extraordinary things.
312
:I'm your host Cliff DuVernois.
313
:Today we're at the Marquette
Maritime Museum with Executive
314
:Director Hilary Billman.
315
:And Hilary before the break, we
were talking about how the museum
316
:is basically weathered this storm.
317
:No pun intended.
318
:And it's starting to come
back better than ever.
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:What I would like to do is I
would like to talk about, because
320
:there's so much stuff here.
321
:This place is like densely packed.
322
:It's almost a little bit overwhelming.
323
:But the exhibits that you got here, all
of the, All the goodies that you got here.
324
:Where did that come from?
325
:Is it just is it private donations?
326
:Is it how does that work?
327
:Hilary Billman: work?
328
:So most of the items that we
have, most of the artifacts are
329
:donations, private donations.
330
:We do have some loans from like
the United States Coast Guard
331
:on some of our bigger artifacts.
332
:Um, We try not to do a lot of
loans just because we're not, we
333
:don't have a lot of storage area.
334
:So it just, if we have to store
things for people, it doesn't
335
:really work that well for us.
336
:But yeah, most of the stuff has been
loaned from people throughout the
337
:years, since we started in:
338
:Cliff Duvernois: then how do you go
about adding this stuff to your exhibit
339
:because every museum's got a flow to it
340
:So, the amount of square footage you
have in here is at a premium, so until
341
:you buy another building You kind
of have to work with what you got.
342
:Hilary Billman: Yes.
343
:Cliff Duvernois: how do you work
work to get in these new exhibits
344
:or these new donations that
people have got that come in?
345
:Hilary Billman: Right, so if we
have something that comes in that
346
:we want to immediately exhibit, then
we have to take something else out.
347
:It all becomes just figuring
out, how we're gonna rotate.
348
:A lot of the things that we have
in here, we don't rotate just
349
:because they're so important.
350
:Like, our Fresnel lens collection is
one of the best on the Great Lakes.
351
:We've got a diorama of the
shipwreck of the Maryland.
352
:And A couple of really important
shipwrecks that we have.
353
:We also have exhibits
dedicated specifically to them.
354
:But other than that, there are places
where, like from last year, if you came
355
:back like we're sitting right next to
a case right now where this is a case
356
:where I can easily pull things out
and put things back in if I need to.
357
:But, and we also have a exhibit
space right next to our children's
358
:corner where I can change things
out every year if I want to.
359
:Um, And so I try to do something really
different than what we're doing with
360
:the rest of the museum in that space.
361
:Cliff Duvernois: space.
362
:Now, it's not just the museum,
but you also have a lighthouse.
363
:Hilary Billman: We do.
364
:Yes.
365
:Yes.
366
:The lighthouse is actually
owned by the city of Marquette.
367
:It was previously owned by the Coast Guard
it was deeded to the city in:
368
:But we have been doing tours of
the lighthouse since about:
369
:Even when it was Coast Guard property.
370
:We had special permission to go through
the Coast Guard grounds and do the tours.
371
:We do three tours a day.
372
:Tuesday through Sunday, closed on Mondays.
373
:And those are done specifically
by our amazing crew of volunteers.
374
:We have volunteers that have
been coming back for years just
375
:to do the lighthouse tours.
376
:Now, in the lighthouse, there is, you can
go on the first floor of the lighthouse,
377
:where we have a lot of exhibits.
378
:There's also a little basement space.
379
:Just this past year, the city has redone
the second floor of the lighthouse, which
380
:has not been open to the public in years.
381
:So we kind of have the second floor
of the lighthouse is a blank slate
382
:of all these empty rooms right now.
383
:They just finished painting it.
384
:And they're going to be
doing the floors soon.
385
:So we're actually, we do have more exhibit
space up there that we're going to do
386
:take some of the things from the museum.
387
:And some of the things from the first
floor in the lighthouse that sort of
388
:we can dedicate into specific exhibits
on shipwrecks and families in the
389
:lighthouse and that kind of thing.
390
:Yeah, we're very lucky to be able to
have this lighthouse to tour also.
391
:Cliff Duvernois: Now because you've
got all this unfettered access to
392
:it, and now the second floor is open,
The question for me then is that,
393
:does this give you another place to
put all these historical artifacts?
394
:Hilary Billman: It does.
395
:One thing about the lighthouse
though is there's no heat up there.
396
:And so anything we put up there has to be
able to withstand, no heat kind of thing.
397
:And although, so we're a maritime museum
too, which means a lot of our artifacts
398
:can withstand, you know, weather.
399
:Which is the point of the maritime.
400
:Yeah, so we think about that
when we redo that second floor.
401
:We'll think about, how we're
going to do that with the no
402
:heat and keeping things up there.
403
:And sometimes if you have like photographs
and things, it just means you have to,
404
:get new copies of the photographs and
change them out every couple of years.
405
:Cause, it's humid or, or
something up there, there's no
406
:humidity control or anything.
407
:It's, it's really just an old
lighthouse that you get to walk through.
408
:Cliff Duvernois: And somebody
lived in that at one point
409
:Hilary Billman: Oh yeah, yeah,
there were two apartments.
410
:And there, it's 45 steps to
get up into the lighthouse.
411
:And the Coast Guard families that used
to live there right before they stopped
412
:having them live there used to have
to carry their groceries up 45 steps.
413
:And they didn't like that and,
you know, it's kind of an old,
414
:damp building and so, yeah,
415
:Cliff Duvernois: Yes.
416
:Hilary Billman: wasn't the most
popular place to live towards the end.
417
:Cliff Duvernois: So let's talk a little
bit about because one of the things,
418
:you know, with museums is you, you make
it a point to have rotating exhibits
419
:through here throughout the years,
probably, talk to us about what are some
420
:of those exhibits that are going on now?
421
:Hilary Billman: Probably our most
famous exhibits that we have in
422
:here now are the Fresnel lenses
that we have in our main gallery.
423
:So we have a collection of Fresnel
lenses, which are the original lenses
424
:that they used in lighthouses that
are made of glass in France from,
425
:anywhere from the:they made them up into the:
426
:We have the number two Fresnel
lens from Standard Rock, which is
427
:a huge, beautiful piece of artwork.
428
:That's one of the artifacts that
we have that belong to the U.
429
:S.
430
:Coast Guard that's on
permanent display here.
431
:So, we try to change out the exhibit
that's around the Fresnel lenses
432
:because those aren't going anywhere.
433
:So we can update some of the things
going on with the lighthouses or every
434
:once in a while, we'll get another
type of lighthouse lens that we can
435
:add to the collection to show how
they've progressed through the years.
436
:So we're always trying
to do that kind of thing.
437
:Every year I come in here.
438
:And I look around and I think,
okay, what needs to be updated?
439
:What haven't we done in a while?
440
:What needs to be updated?
441
:And like We're sitting right
in front of an exhibit that we
442
:updated just a couple of years ago.
443
:If you would have seen what the
walls looked like on this exhibit
444
:about five years ago, This would have
been your first choice to update.
445
:They were, it was not very pretty.
446
:And so one of our board
members is a mural artist.
447
:So she came in and just,
painted some, yeah, yeah.
448
:So we, we're so lucky she comes in
and does some of that stuff for us.
449
:So yeah, we just, we try to update
everything at least two exhibits
450
:a year is how we try to do it.
451
:Cliff Duvernois: To go back to the
Fresnel lenses, because I'm really
452
:intrigued by this whole concept, So
for somebody who might be listening
453
:to this, what is a Fresnel lens?
454
:How big are they?
455
:And you talked about how
they came from France.
456
:Hilary Billman: Yes, so the
Fresnel lenses were the original
457
:lenses that were in lighthouses.
458
:Now they have the LED lenses
that you don't need to tend to.
459
:You just go and check to make sure
they're turned on or whatever.
460
:So the Fresnel lenses used to be sometimes
they used whale oil to keep them lit,
461
:sometimes kerosene and then gasoline.
462
:And eventually they were electrified.
463
:But they were all made
especially for in house lighting.
464
:each lighthouse that they sat in.
465
:So they came in six sizes.
466
:One is the largest.
467
:Six is the smallest.
468
:There were no number
ones on the Great Lakes.
469
:So number two is the biggest
one on the Great Lakes.
470
:Ones are usually on the Atlantic seaboard.
471
:So we have a number two
Fresnel Lens in our collection.
472
:We have a three and a half.
473
:And we have a four, and the four that we
have is the exact same one they would have
474
:had in the Marquette Harbor Lighthouse.
475
:So they don't make Fresnel lenses anymore.
476
:So there aren't very many of
them in the world anymore.
477
:So if, if we have them,
you're lucky to have them.
478
:So the fact that we have
three, we feel very lucky.
479
:And people come in here and don't
understand exactly what they are.
480
:But it's just stunning when
you see it for the first time.
481
:Cliff Duvernois: the first time.
482
:How big is
483
:Hilary Billman: They come in
different shapes and so it just
484
:depends how big the light is that,
I mean, they're not specific sizes.
485
:It's just, you know, that like,
so Number one is the biggest.
486
:Number six is the smallest.
487
:And they're made to order to
fit in the certain lighthouses.
488
:Cliff Duvernois: Okay, and then if
somebody were to come here, they've never
489
:been here before, talk to us about what
they can expect when they come here.
490
:I know you talked about
the Fresnel lenses.
491
:What are some other things that you
think that people, if they were going to
492
:come here, make it a point to see this?
493
:Hilary Billman: Right, so we have two
other exhibits that I'm really proud of.
494
:The first one is right
when you walk in the door.
495
:We have it's called the Darter Dace Annex.
496
:We had a captain from World War
II named David McClintock, who's
497
:from Marquette, who was the captain
of a submarine called the U.
498
:S.
499
:S.
500
:Darter.
501
:And he was really instrumental in the
United States winning the Battle of Leyte
502
:Gulf in the Philippines in World War II.
503
:And we have an entire
room dedicated to that.
504
:The exhibit includes a working periscope
in the middle of the room so you can look
505
:in the periscope and do a complete 360.
506
:Like we just had a field trip in this
morning and the kids can find the
507
:lighthouse and then they turn and they
say, Hey, Oh, look, there's somebody
508
:walking on the bike path and they, yeah.
509
:So it's really fun to look
through the periscope.
510
:Cliff Duvernois: you say
it's functioning it's
511
:Hilary Billman: functioning periscope.
512
:Yes, it's great.
513
:Yeah.
514
:Yeah.
515
:So that's one thing
that people really like.
516
:And I don't think people
understand really how instrumental
517
:McClintock was in this battle.
518
:I mean, even people from Marquette
haven't really heard of him in that sense.
519
:And so it's nice to be able to
give him credit where it's due
520
:for everything that he did.
521
:We also have a fantastic exhibit
on Lake Superior shipwrecks and
522
:Marquette shipwrecks with maps and
details about different ships that
523
:have gone down and some that are still
out there that they haven't found.
524
:And ones that they have found
including some ship models all kinds of
525
:different things that you can look at.
526
:Cliff Duvernois: It's interesting you
say that because I want to say that I
527
:read somewhere that the Great Lakes has
got the greatest number of shipwrecks.
528
:Hilary Billman: Yes so the,
They actually don't even know
529
:how many shipwrecks there are.
530
:There may be in, in Lake Superior,
there may be 600 that they know
531
:about and know, and just because
there's a shipwreck doesn't mean
532
:that there's still something to find.
533
:There could be a shipwreck and
then they recovered the ship.
534
:But a lot of times there are still
ships at the bottom of the lake.
535
:Like we have an exhibit on the Henry B.
536
:Smith, which is a ship
that was lost in:
537
:And it took them 100 years to find it
because it was 500 feet down in a place
538
:where they weren't expecting to look.
539
:I mean, it's a big lake.
540
:Lots of different depth changes.
541
:And so there are places in the lake
where there are lots of rock shoals,
542
:and all kinds of things going on,
and there's shipwrecks everywhere.
543
:Cliff Duvernois: Hilary, if somebody
is listening to this and they want
544
:to come and check out the museum,
they're coming to Marquette to visit,
545
:Hilary Billman: live
546
:Yeah.
547
:Um.
548
:Cliff Duvernois: how can they find you?
549
:Where can they go?
550
:Hilary Billman: We have a
pretty prominent Facebook page.
551
:If you look up Marquette Maritime Museum.
552
:We also have a website, mqtmaritimemuseum.
553
:com, which has got basically
everything you need to know.
554
:There's a plan your visit page on
there that where you can figure
555
:out ticket prices and everything.
556
:But we are open from
mid May to mid October.
557
:So we are seasonal because
of the weather in Marquette.
558
:And we are closed Mondays.
559
:But that doesn't mean
we're not busy on Mondays.
560
:Usually on Mondays we're doing
like kids art history workshops
561
:or something like that.
562
:But we do have a calendar of events.
563
:It's on our website and
on our Facebook page.
564
:We have all kinds of things going
on in the summer still to come.
565
:We do evening lighthouse tours.
566
:We do sunrise tours.
567
:We have a paranormal team that
does lighthouse paranormal tours.
568
:And you can actually do
paranormal investigations.
569
:It's a great group that has
been doing that for us as
570
:fundraisers for a few years.
571
:And it's, it's really fun.
572
:In the winter months, if you happen
to be visiting Marquette in the winter
573
:months, we do a series called Maritime
History on Tap at one of the local brew
574
:pubs, the Ore Dock Brewing Company.
575
:So once a month you can come and get a
beer and listen to some maritime history.
576
:Usually some kind of slideshow
or presentation or a musical
577
:Cliff Duvernois: musical.
578
:That is
579
:Hilary Billman: fun.
580
:Yeah.
581
:So it's a way to stay
involved in the winter.
582
:Keep our name out there.
583
:It's fun.
584
:Cliff Duvernois: excellent.
585
:Uh, Hilary, so much for taking time
out of your schedule to chat with
586
:us today really do appreciate it
587
:Hilary Billman: I love
talking about this museum.
588
:It's a great place.
589
:Cliff Duvernois: And for our audience You
can always roll on over to Total Michigan.
590
:com click on Hilary's interview And get
the links that she mentioned earlier.
591
:We'll see you next time when we
talk to another michigander doing
592
:some pretty extraordinary things.
593
:We'll see you then